Summer 2019 movie: 20 titles not to be missed

Fortunately this year the air changes, thanks to the Moviement initiative . Producers, distributors and exhibitors have organized themselves to redefine the annual cinema distribution. This summer project has finally been taken into consideration. For years in America the summer months have been a time of great appeal to film viewers. In Italy, however, the public has always pushed to desert the theaters, distributing few titles. Even with great summer football events, the titles have shrunk even more: a decidedly ridiculous strategy. Summer 2019 will be the year of change : there will be major releases simultaneously with America, art films, local productions and much more. A great offer of titles for a great summer of cinema : here below you can find the movies you can’t miss.

Godzilla was going to fight with King Kong, the first reaction was that “King of Monsters

“Gregory II King of Monsters” director, “Gorgila vs. King Kong” co-writer Michael Dougherty revealed to the outside media “Bloody Disgusting”, “We are considering the shepherd David defeated the giant Goliath In the case of everyone, when everyone heard that Gigila was going to fight with King Kong, the first reaction was that “King Kong had no chance”, just like watching Loki fight against Russian boxing champion Ivan, it seems unfair. But the loser may have a surprise.”

Ritchie, a lover of rough gangsters and violent Aladdin

When seeing the new version with actors of “Aladdin” it is quite clear that the doubts around the selection of Will Smith for the role of the Genius were exaggerated. The one that should have aroused doubts is the guy behind the camera … and, in the process, getting into a lamp forever.Guy Ritchie, a lover of rough gangsters and violent action, was always a strange choice to direct a great Disney romantic musical and here he proves definitely that he was the wrong person. “Aladdin”, in his hands, looks more like “The mummy” than “Frozen”. Includes a scene of torture and action shots in slow motion without meaning.At first, Smith was the big question mark. How was a real actor to reproduce the frantic spirit of a metamorphic genius to which Robin Williams lent his voice so beautifully in the animated film? Smith acts with difficulty at first, perhaps before listening to the advice of his own character: be yourself.Ritchie, who directed the film and co-wrote the screenplay with John August, basically took the structure of the 1992 film, added elements of the Broadway musical and gave it some good twists, such as adding a second love story and updating the princess Jasmine, who passes from pretty witness to fierce participant. The script also redoubles the idea that everyone feels trapped in the roles in which they were born.

“barbarian” and a place where heads are cut, is now a joyful

“Aladdin” of Ron Clements and John Musker premiered almost 30 years ago, and today a classic of the genre, had this good, this “Aladdin” with people of flesh and bone and much software behind bad. And what adds to it again is dictated by the politically correct and feminist agenda. The original Agrabah, referred to as “barbarian” and a place where heads are cut, is now a joyful meeting place for cultures and ethnicities from across the globe; and Princess Jasmine (Naomi Scott, a pretty face with a good voice) was injected with “girl power” and, rather than wanting to marry a prince and be happy, intends to succeed her father, the good old sultan, and govern Agrabah .The film even gives you an extra song (Alan Menken’s original Oscar-winning score is otherwise intact) for her to affirm her statesman intentions. But the song is banal and Ritchie is python filming the sequel.

Watch Aladdin 2019 Online Free Directors By Guy Ritchie

Aladdin should be no worse and Watch ridiculous villain in the entire Aladdin 2019 of Disney Online, Watch Aladdin 2019 Online Free Full Movie animated or real-image, Full Aladdin Movie Onlinethan the vizier Jafar of this new version of “Aladino” with actors and digital effects and performed by Guy Ritchie, who following the animation of 1992.Neither in the moments when, with the help of computers and the soundtrack, the character is supposedly more sinister, actor Marwan Kenzari ceases to look like a suburban “hipster” who decided to open a vegetarian tavern there in the social area to take advantage the fashion of healthy food. It’s not that on the heroes side the picture is better.

Aladdin 2019 Egyptian Mena Massoud, chosen to play Aladdin, is a pocket rattlesnake, as well as a loaf of bread without salt or screen presence. Even the Raja tiger and the Abu monkey – both digital – go better than them.

Almost everything that the animated “Aladdin” of Ron Clements and John Musker premiered almost 30 years ago, and today a classic of the genre, had this good, this “Aladdin” with people of flesh and bone and much software behind bad. And what adds to it again is dictated by the politically correct and feminist agenda. The original Agrabah, referred to as “barbarian” and a place where heads are cut, is now a joyful meeting place for cultures and ethnicities from across the globe; and Princess Jasmine (Naomi Scott, a pretty face with a good voice) was injected with “girl power” and, rather than wanting to marry a prince and be happy, intends to succeed her father, the good old sultan, and govern Agrabah .The film even gives you an extra song (Alan Menken’s original Oscar-winning score is otherwise intact) for her to affirm her statesman intentions. But the song is banal and Ritchie is python filming the sequel.

And there is the Genie of the Lamp, which in the animated film of Clements and Musker had the look, voice and frenetic personality of the late Robin Williams, who joked jokes, to parties and puns faster than we could laugh at them. Will Smith has an inordinate task of succeeding him, and although we owe him the few good moments of the film, he does not have comedic ability, vocal virtuosity or a decent argument for reaching Williams’ heels. And Smith is also a victim of one of Aladdin’s biggest problems: poorly finished digital effects, which instead of suspending viewer disbelief and contributing to the magical and wonderful mood of the film, are always showing the seams and to denounce the artifice.

Guy Ritchie was recently responsible for one of the greatest crimes of Arthurian mythology in memory in “King Arthur: The Legend of the Sword”, and films here with a soft hand, a prosaic camera, narrative sloppiness, fuss or feet of lead ( one can see the “Bollywoodesque” musical sequences of the feast in honor of Prince Ali, and the final apotheosis, both of a mechanical banality), and with little capacity for wonder and fantasy, invariably shielding itself from the imperfect special effects to try get. “Aladdin” was supposed to be an exciting, comic, and marvelous ride on a flying carpet, but the rug seldom succeeds. And when he does, he starts prorating after two or three minutes and goes back to the ground.

There is no hero, song, special effect, magic lamp, enchanted carpet pirouette, ideological modernization or blue and jovial genius worthy of this new “Aladdin . ” Disney produced an Arabian disaster.

Co-ordinating the high expectations generated by the new adaptation to the screen, English director Guy Ritchie, the fifty-year-old famous for making films like Unusual Destiny , Sherlock Holmes and Agent of UNCLE , responds to the challenge proposed by Disney. In the remake, Agrabah follows like territory in which dramas and comedies extracted from plot are described described in the work the thousand and one nights. For the new film, the locations focused on England and Jordan.

Animated in the animated version, the pets of the central characters appear to have been preserved by Ritchie: the monkey Abu, the Rajah tiger and the Iago parrot are featured in the popular feature films. How much harnessing the songs from the original film, which brought pieces signed by Alan Menken, Howard Ashman and Tim Rice, also points to the suspense. Still, the star Will Smith was intimidated by taking on a new outfit for the well-known Prince Ali music.

Disney: funny, strong, brave and with a beautiful voice

Mena Massoud enthusiastically plays the main character, a handsome street rogue who falls in love with the free-spirited princess and sees his life change after rubbing a magic lamp. Naomi Scott is the princess and is worthy as a Disney heroine of 2019: funny, strong, brave and with a beautiful voice.The classic Alan Menken tunes from the original film, including “Friend Like Me”, “Prince Ali” (“Prince Ali”) and “A Whole New World”, are all included, as well as “Speechless”, a new song written by Menken and Benj Pasek and Justin Paul (“La La Land”) performed by Jasmine. The piece is wonderful and could finally replace “Let It Go” as the popular anthem of Disney.Also highlighted are Michael Wilkinson’s exuberant costumes, a fully digital animal parade – with a fantastically accomplished Abu monkey, the Rajah tiger and a Magic Carpet hugger – and the good performances of “Saturday Night Live” comedian Nasim Pedrad as a Maiden and Billy Magnussen as a prince. And the choreographer Jamal Sims achieves glorious combinations of hip hop with Bollywood.

Koefnoen program and had columns on 538 and 3FM

Pannekoek calls this “a dream come true”. “Carré is a mecca for many comedians. I am therefore very proud to be able to perform there and I can now die quietly. Even though I have been waiting for 17 February”

The comedian has been touring Dutch since September 2018 with his second performance, which received rave reviews. With this, he visited 129 sold-out halls so far.

Pannekoek won the Amsterdams Kleinkunst Festival in 2006, joined the Comedytrain company and started writing for the student magazine Propria Cures . He also participated in the Koefnoen program and had columns on 538 and 3FM.

Mena Massoud enthusiastically plays the magic lamp

Mena Massoud enthusiastically plays the main character, a handsome street rogue who falls in love with the free-spirited princess and sees his life change after rubbing a magic lamp. Naomi Scott is the princess and is worthy as a Disney heroine of 2019: funny, strong, brave and with a beautiful voice.The classic Alan Menken tunes from the original film, including “Friend Like Me”, “Prince Ali” (“Prince Ali”) and “A Whole New World”, are all included, as well as “Speechless”, a new song written by Menken and Benj Pasek and Justin Paul (“La La Land”) performed by Jasmine. The piece is wonderful and could finally replace “Let It Go” as the popular anthem of Disney.Also highlighted are Michael Wilkinson’s exuberant costumes, a fully digital animal parade – with a fantastically accomplished Abu monkey, the Rajah tiger and a Magic Carpet hugger – and the good performances of “Saturday Night Live” comedian Nasim Pedrad as a Maiden and Billy Magnussen as a prince. And the choreographer Jamal Sims achieves glorious combinations of hip hop with Bollywood.

Superheroes area unit characters that show that the not possible is feasible.

Superheroes area unit characters that show that the not possible is feasible. nevertheless, whereas Marvel is taking some steps to extend illustration, there’s still the question of whether or not or not the individuals at Marvel did enough to accurately represent these marginalized individuals in Avengers: Endgame.Avengers: Endgame is one in all the foremost well-liked movies of our generation. As a superhero film and a conclusion to the current adventure story of the Marvel universe, it’s associate exceptional moving picture. the sole dissatisfied was that the importance of a gay character creating their commencement within the film wasn’t as outstanding as several thought it might be.

EPS of 0.11. Sell-side analysts often provide their best researched

Shifting the focus to some earnings data, we have noted that the current quarter EPS consensus estimate for Tencent Music Entertainment Group Sponsored ADR (ASX:TME) is 0.1. This EPS estimate consists of 4 Wall Street analysts taken into consideration by Zacks Research. For the previous reporting period, the company posted a quarterly EPS of 0.11. Sell-side analysts often provide their best researched estimates at what the company will report. These estimates hold a lot of weight on Wall Street and the investing community. Sometimes these analyst projections are spot on, and other times they are off. When a company reports actual earnings results, the surprise factor can cause a stock price to fluctuate. Investors will often pay added attention to a company that has beaten estimates by a large margin.